{"id":21910,"date":"2017-07-12T10:06:10","date_gmt":"2017-07-12T15:06:10","guid":{"rendered":"https:\/\/radiozapatista.org\/?p=21910"},"modified":"2017-07-16T21:07:15","modified_gmt":"2017-07-17T02:07:15","slug":"ezln-arte-resistencia-y-rebeldia-en-la-red-convocatoria-a-la-edicion-cibernetica-del-comparte-contra-el-capital-y-sus-muros-todas-las-artes","status":"publish","type":"post","link":"https:\/\/radiozapatista.org\/?p=21910","title":{"rendered":"[:es]EZLN: ARTE, RESISTENCIA Y REBELDIA EN LA RED. Convocatoria a la edici\u00f3n cibern\u00e9tica del CompArte \u201cContra el Capital y sus muros, todas las artes\u201d[:en]Art, Resistance and Rebellion on the Net[:]"},"content":{"rendered":"<p>[:es]<\/p>\n<p style=\"text-align: center;\"><strong>ARTE, RESISTENCIA Y REBELDIA EN LA RED.<\/strong><\/p>\n<p style=\"text-align: center;\">Convocatoria a la edici\u00f3n cibern\u00e9tica del <strong><em>CompArte<\/em><\/strong> \u00a0\u201cContra el Capital y sus muros, todas las artes\u201d<\/p>\n<p>Julio del 2017.<\/p>\n<p><em>Compa\u00f1eroas<\/em>, compa\u00f1eras y compa\u00f1eros de la Sexta:<\/p>\n<p><em>Hermanoas<\/em>, hermanas y hermanos artistas y no, de M\u00e9xico y el mundo:<\/p>\n<p>Avatares, nicknames, webmasters, bloguer@s, moderador@s, gamers, hackers, piratas, bucaneros y n\u00e1ufragos del streaming, usuari@s de las redes antisociales, ant\u00edpodas de los reality shows, o como-se-diga cada quien en la red, la web, internet, ciberespacio, realidad virtual o-como-se-diga:<\/p>\n<p>Les convocamos, pues, porque tenemos algunas preguntas que nos inquietan:<\/p>\n<p>\u00bfEs posible otro internet, o sea otra red?\u00a0 \u00bfSe puede luchar ah\u00ed?\u00a0 \u00bfO es que ese espacio sin geograf\u00eda precisa, ya est\u00e1 ocupado, copado, cooptado, atado, anulado, <em>etceterado<\/em>?\u00a0 \u00bfNo puede haber ah\u00ed resistencia y rebeld\u00eda?\u00a0 \u00bfSe puede hacer Arte en la red? \u00a0\u00bfC\u00f3mo es ese Arte?\u00a0 \u00bfY puede rebelarse?\u00a0 \u00bfPuede el Arte en la red resistir la tiran\u00eda de c\u00f3digos, <em>passwords<\/em>, el spam como buscador por default, los MMORPG de las noticias en las redes sociales donde ganan la ignorancia y la estupidez por millones de likes?\u00a0 \u00bfEl Arte en, por y para la red banaliza la lucha y la trivializa, o la potencia y escala, o \u201cnada qu\u00e9 ver, mi buen, es arte, no c\u00e9lula militante\u201d?\u00a0 \u00bfPuede el Arte en la red ara\u00f1ar los muros del Capital y herirlo con una grieta, o ahondar y perseverar en las que ya hay?\u00a0 \u00bfPuede el Arte en, por y para la red resistir no s\u00f3lo a la l\u00f3gica del Capital, tambi\u00e9n a la l\u00f3gica del Arte \u201cconocido\u201d, el \u201carte real\u201d?\u00a0 \u00bfLo virtual es tambi\u00e9n virtual en sus creaciones?\u00a0 \u00bfEs el bit la materia prima de su creaci\u00f3n?\u00a0 \u00bfEs creado por un ser individual?\u00a0 \u00bfD\u00f3nde est\u00e1 el soberbio tribunal que, en la Red, dictamina qu\u00e9 es y qu\u00e9 no es Arte?\u00a0 \u00bfEl Capital cataloga el Arte en, por y para la red como <em>ciberterrorismo<\/em>, <em>ciberdelincuencia<\/em>?\u00a0 \u00bfLa Red es un espacio de dominaci\u00f3n, de domesticaci\u00f3n, de hegemon\u00eda y homogeneidad?\u00a0 \u00bfO es un espacio en disputa, en lucha? \u00bfPodemos hablar de un materialismo digital?<\/p>\n<p>En realidad, real y virtual, es que sabemos poco o nada de ese universo.\u00a0 Pero creemos que, en la geograf\u00eda inasible de la red, hay tambi\u00e9n creaci\u00f3n, arte.\u00a0 Y, claro, resistencia y rebeld\u00eda.<\/p>\n<p>Ustedes que crean ah\u00ed, \u00bfven la tormenta?, \u00bfla padecen?, \u00bfresisten?, \u00bfse rebelan?<\/p>\n<p>Para tratar de encontrar algunas respuestas, es que les invitamos a que participen\u2026 (\u00edbamos a poner \u201cdesde cualquier geograf\u00eda\u201d, pero creemos que la red es donde tal vez importa menos el lugar).<\/p>\n<p>Bueno, les invitamos a construir sus respuestas, a construirlas, o <em>deconstruirlas<\/em>, con arte creado en, por y para la red.\u00a0 Algunas categor\u00edas en las que se puede participar (seguramente hay m\u00e1s, y usted ya est\u00e1 se\u00f1alando que la lista es corta, pero, ya sabe, \u201cfalta lo que falta\u201d), ser\u00edan:<\/p>\n<p>Animaci\u00f3n; Apps; Archivos y bases de datos; Bio-arte y arte-ciencia; Ciberfeminismo; Cine interactivo; Conocimiento colectivo; Cultural Jamming; Cyber-art; Documental web; Econom\u00edas + finanzas experimentales; Electr\u00f3nica DIY, m\u00e1quinas, rob\u00f3tica y drones, Escritura colectiva; Geo-localizaci\u00f3n; Gr\u00e1fica y dise\u00f1o, Hacking creativo, graffiti digital, hacktivismo y borderhacking; Impresi\u00f3n 3D; Interactividad; Literatura electr\u00f3nica e Hipertexto; Live cinema, VJ, cinema expandido; Machinima; Memes; Narrative media; Net.art; Net Audio; Performance, danza y teatro medi\u00e1ticos; Psico-geograf\u00edas; Realidad alterna; Realidad aumentada; Realidad virtual; Redes y Translocalidades colaborativas (dise\u00f1o de comunidades, pr\u00e1cticas translocales); Remix culture; Software art; Streaming; Tactical media; Telem\u00e1tica y telepresencia; Urbanismo y comunidades online\/offline; Videojuegos; Visualizaci\u00f3n; Blogs, Flogs y Vlogs; Webcomics; Web Series, Telenovelas para Internet, y eso que usted ve que falta en esta lista.<\/p>\n<p>As\u00ed que <em>bienvenid<\/em>@s aquellas personas, colectivos, grupos, organizaciones, reales o virtuales, que trabajen desde zonas aut\u00f3nomas en l\u00ednea, quienes utilicen plataformas cooperativas, open source, software libre, licencias alternativas de propiedad intelectual, y los etc\u00e9teras cibern\u00e9ticos.<\/p>\n<p>Bienvenida toda participaci\u00f3n de <em>todoas<\/em>, todas y todos los hacedores de cultura, independientemente de las condiciones materiales desde las que trabajen.<\/p>\n<p>Les invitamos tambi\u00e9n para que distintos espacios y colectivos alrededor del mundo puedan mostrar las obras en sus localidades, seg\u00fan sus propios modos, formas, intereses y posibilidades.<\/p>\n<p>\u00bfTienen ya en alg\u00fan lugar del ciberespacio algo qu\u00e9 decirnos, contarnos, mostrarnos, compartirnos, invitarnos a construir en colectivo? \u00a0M\u00e1ndanos t\u00fa link para ir construyendo la sala de exhibici\u00f3n en l\u00ednea de este <em>CompArte<\/em> digital.<\/p>\n<p>\u00bfNo tienes todav\u00eda un espacio donde subir t\u00fa material? \u00a0Podemos proporcion\u00e1rtelo, y en la medida de lo posible archivar t\u00fa material para que quede registrado a futuro.\u00a0 En ese caso necesitar\u00edamos que nos den un link a la nube, hospedaje cibern\u00e9tico o cosa similar de su preferencia. \u00a0O que nos lo manden por correo electr\u00f3nico, o lo suban a una de nuestras nubes o al FTP.<\/p>\n<p>Aunque nos ofrecemos a hospedar todo el material, porque nos gustar\u00eda que formara parte del archivo de arte en red solidario, tambi\u00e9n vamos a \u2018<em>linkear\u2019<\/em> a otras p\u00e1ginas o servidores o geo-localizaciones, porque entendemos que, en la \u00e9poca del capital global, es estrat\u00e9gico descentralizar.<\/p>\n<p>As\u00ed que como gusten:<\/p>\n<p>Si quieren dejar la informaci\u00f3n en sus sitios, con sus formas y sus modos, podemos <em>linkearlos<\/em>.<\/p>\n<p>Y si necesitan espacio, tambi\u00e9n estamos para hospedarlos.<\/p>\n<p>Bueno, pueden escribirnos un correo con la informaci\u00f3n de su participaci\u00f3n. \u00a0Por ejemplo, el nombre de los creadores, t\u00edtulo, y la categor\u00eda en la que quieren que esta sea incluida, as\u00ed como una peque\u00f1a descripci\u00f3n y una imagen.\u00a0 Tambi\u00e9n d\u00edganos si tienen espacio en internet y s\u00f3lo necesitan que pongamos un link, o bien si prefieren que la subamos al servidor.<\/p>\n<p>El material que se vaya recibiendo desde el momento que aparezca la convocatoria, se ir\u00e1 clasificando en distintos apartados seg\u00fan su (in)disciplina.\u00a0 Las participaciones se har\u00e1n p\u00fablicas durante los d\u00edas del festival para que cada individuo o colectividad lo navegue, use (o abuse) y difunda en sus espacios de reuni\u00f3n, calles, escuelas, o donde prefiera.<\/p>\n<p>Las participaciones se publicar\u00e1n como entradas y links.<\/p>\n<p>Tambi\u00e9n se publicar\u00e1 un programa de <em>streaming<\/em> en directo. Las actividades ser\u00e1n archivadas por si alguien no alcanza a verlas en vivo.<\/p>\n<p>El correo al cual tienen que escribir para mandarnos sus links y comunicarse con nosotros es:<\/p>\n<p style=\"text-align: center;\"><a href=\"mailto:compas@comparte.digital\">compas@comparte.digital<\/a><\/p>\n<p>\u00a0 La p\u00e1gina donde se ir\u00e1n montando los links a las participaciones, y la cual estar\u00e1 en pleno funcionamiento a partir del 1\u00ba de agosto de este a\u00f1o de 2017, es:<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/comparte.digital\/\">http:\/\/comparte.digital<\/a><\/p>\n<p>\u00a0 Desde ah\u00ed tambi\u00e9n se har\u00e1n transmisiones y exposiciones, del 1\u00ba de agosto y hasta el 12 de agosto, de distintas participaciones art\u00edsticas desde su ciberespacio local, en distintas partes del mundo.<\/p>\n<p style=\"text-align: center;\"><em>Bienvenidoas<\/em> pues a la edici\u00f3n virtual del CompArte por la Humanidad:<\/p>\n<p style=\"text-align: center;\"><strong>\u201cContra el Capital y sus muros, todas las artes\u2026 tambi\u00e9n las cibern\u00e9ticas\u201d<\/strong><\/p>\n<p style=\"text-align: center;\">Vale, salud y no <em>likes<\/em>, sino dedos medios <em>up<\/em> and <em>fuck<\/em> <em>the<\/em> muros, <em>delete<\/em> al capital.<\/p>\n<p style=\"text-align: center;\">Desde las monta\u00f1as del Sureste Mexicano.<\/p>\n<p style=\"text-align: center;\">Comisi\u00f3n Sexta, <em>Newbie but<\/em> <em>On-Line,<\/em> del EZLN.<\/p>\n<p style=\"text-align: center;\">(Con mucho ancho de banda, mi buen, al menos en lo que a la cintura se refiere -oh, yes, nerd and fat is hot-)<\/p>\n<p style=\"text-align: center;\">Julio del 2017.<\/p>\n<p style=\"text-align: center;\"><small>Fuente: <a href=\"http:\/\/enlacezapatista.ezln.org.mx\/2017\/07\/11\/arte-resistencia-y-rebeldia-en-la-red-convocatoria-a-la-edicion-cibernetica-del-comparte-contra-el-capital-y-sus-muros-todas-las-artes\/\" target=\"_blank\">Enlace Zapatista<\/a><\/small><\/p>\n<p>[:en]<\/p>\n<p style=\"text-align: center;\"><strong>ART, RESISTANCE AND REBELLION ON THE NET<\/strong><\/p>\n<p><strong>Call to join the cybernetic edition of CompArte\u00a0 \u201cAgainst Capital and its Walls, All the Arts\u201d<\/strong><\/p>\n<p>July, 2017<\/p>\n<p><em>Compa\u00f1eroas<\/em>, <em>compa\u00f1eras<\/em> and <em>compa\u00f1eros<\/em> of the Sixth:<\/p>\n<p>Artist and non-artist sisters and brothers [<em>hermanoas<\/em>, <em>hermanas<\/em> and <em>hermanos<\/em>] of Mexico and the world:<\/p>\n<p>Avatars, screennames, webmasters, bloggers, moderators, gamers, hackers, pirates, buccaneers and streaming castaways, anti-social network users, reality show antipodes, or whatever-you-call each person on the network, the web, the internet, cyberspace, virtual reality, or whatever-it\u2019s-called:<\/p>\n<p>We are convoking you because there are some questions that are nagging at us:<\/p>\n<p>Is another internet, that is to say another network, possible? Can one struggle there? Or is that space without precise geography already occupied, captured, coopted, tied, annulled, <em>etceterized<\/em>? Could there be resistance and rebellion there? Can one make Art on the net? What is that Art like? Can it rebel? Can Art on the net resist the tyranny of codes, passwords, spam as the default search engine, the MMORPGs [massively multiplayer online role-playing games] of the news on social networks where ignorance and stupidity win by millions of likes? Does Art on, by, and for the net trivialize and banalize the struggle, or does it potentiate it and scale it up, or it is \u201ctotally unrelated, my friend, it\u2019s art, not a militant cell\u201d? Can Art on the net claw at the walls of Capital and damage it with a crack, or deepen and persist in those that already exist? Can Art on, by, and for the net resist not only the logic of Capital, but also the logic of \u201cdistinguished\u201d Art, \u201creal art\u201d? Is the virtual also virtual in its creations? Is the bit the raw material of its creation? Is it created by an individual? Where is the arrogant tribunal that, on the Net, dictates what is and what is not Art? Does Capital consider Art on, by, and for the net to be <em>cyberterrorism<\/em>, <em>cyberdelincuency<\/em>? Is the Net a space of domination, domestication, hegemony and homogeneity? Or is it a space in dispute, in struggle? Can we speak of a digital materialism?<\/p>\n<p><!--more-->The reality, both real and virtual, is that we know next to nothing about that universe. But we believe that in the ungraspable geography of the net there is also creation, art. And, of course, resistance and rebellion.<\/p>\n<p>You who create art there, do you see the storm? Do you suffer from it? Do you resist? Do you rebel?<\/p>\n<p>To try to find some answers, we invite you all to participate\u2026 (we were going to put \u201cfrom any and all geographies\u201d, but we think that the net is the place where geography matters least).<\/p>\n<p>Well, we invite you all to construct your answers, to construct or <em>deconstruct<\/em> them, with art created on, by, and for the net. Some categories in which you can participate (surely there are more, and surely you are already pointing out that the list is short, but, as you know, \u201cwhat\u2019s missing is yet to come\u201d) are:<\/p>\n<p>Animation; Apps; Files and databases; Bio-art and art-science; Cyberfeminism; Interactive film; Collective knowledge, Culture jamming; Cyber-art; Documentary web; Experimental economies and finances; DIY electronics, machines, robots and drones; Collective writing; Geolocation; Graphics and design, creative hacking, digital graffiti, hacktivism and borderhacking; 3D printing; Interactivity; Electronic literature and hypertext; Live cinema, VJ [video-jaying], expanded cinema; Machinima; Memes; Narrative media; Net.art; Net Audio; Mediated performance, dance, and theater; Psycho-geographies; Alternate reality; Augmented reality; Virtual reality; Collaborative networks and translocalities (community design, translocal practices); Remix culture; Software art; Streaming; Tactical media; Telematics and telepresence; Urbanism and online\/offline communities; Videogames; Visualization; Blogs, Flogs [Photoblogs] and Vlogs [Videoblogs]; Webcomics; Web series, internet soap operas, and that which you\u2019ve already noted is missing from the list.<\/p>\n<p>So our invitation is extended to all those persons, collectives, groups, and organizations, real or virtual, that work from autonomous zones online, who use cooperative platforms, open source, free software, alternative licenses for intellectual property, and the cybernetic <em>etceteras<\/em>.<\/p>\n<p>We welcome the participation of all [<em>todoas<\/em>, <em>todas<\/em> and <em>todos<\/em>] culture-makers, independently of the material conditions in which they work.<\/p>\n<p>We invite you also so that different spaces and collectives around the world might show the works in their localities, according to their own customs, ways, interests, and possibilities.<\/p>\n<p>Do you already have something somewhere in cyberspace to tell us, show us, share with us, invite us to build collectively? Send us your link to add to the online exhibition hall of this digital <em>CompArte<\/em>.<\/p>\n<p>You don\u2019t yet have a place to upload your material? We can offer it to you, and to the degree we\u2019re able we can archive your material so that it is recorded for the future. In that case we would need you to give us a link to the cloud, cybernetic host, or similar thing of your preference. Or send it to us by email, or upload it to one of our clouds or to FTP.<\/p>\n<p>While we are offering to host all the material, because we would like it to be part of the archive of art on the solidaritous net, we are also going to link to other pages or servers or geo-locations because we understand that in the age of global capital, it\u2019s strategic to decentralize.<\/p>\n<p>So, as you prefer:<\/p>\n<p>If you want to post the information on your websites, with your ways and customs, we can link to it.<\/p>\n<p>And if you need space, we are also here to host you.<\/p>\n<p>You can write us an email with the information about your participation. For example, the name of the creator(s), title, and the category in which you\u2019d like it to be included, as well as a short description and an image. Also tell us if you have space on the internet and you just need us to post a link, or if you prefer that we upload it to the server.<\/p>\n<p>The material that we receive from the moment that the convocation is open will be classified in the different categories according to its (in)discipline. The participations will be made public during the days of the festival so that any individual or collective can navigate, use (or abuse) and share it in their meeting spaces, streets, schools, or wherever they prefer.<\/p>\n<p>The participations will be published as posts and links.<\/p>\n<p>We will also publish a schedule for direct streaming. The activities will be archived for anyone who doesn\u2019t get a chance to see them live.<\/p>\n<p>The email to which you should write to send us your links and to communicate with us is:<\/p>\n<p style=\"text-align: center;\"><a href=\"mailto:compas@comparte.digital\">compas@comparte.digital<\/a><\/p>\n<p>\u00a0 The page on which the links to the participations will be uploaded, and which will be fully functioning starting August 1 of this year, 2017, is:<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/comparte.digital\">http:\/\/comparte.digital<\/a><\/p>\n<p>\u00a0 On that page, from August 1 until August 12, we will also broadcast streamings and showings of different artistic participations from local cyberspace in different parts of the world.<\/p>\n<p>Welcome, then, to the virtual edition of CompArte for Humanity:<\/p>\n<p><strong>\u201cAgainst Capital and its Walls, All the Arts\u2026 Including the Cybernetic Ones\u201d<\/strong><\/p>\n<p>Ok, cheers, and no <em>likes<\/em> but rather middle fingers <em>up<\/em> and <em>fuck<\/em> the walls, <em>delete<\/em> Capital.<\/p>\n<p>From the mountains of the Mexican Southeast.<\/p>\n<p>Sixth Commission, <em>Newbie but On-Line<\/em>, of the EZLN.<\/p>\n<p>(With lots of bandwidth, my friend, at least as far as the waist is concerned -oh yeah, <em>nerd and fat is hot<\/em>-)<\/p>\n<p>July 2017.[:]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[:es] ARTE, RESISTENCIA Y REBELDIA EN LA RED. Convocatoria a la edici\u00f3n cibern\u00e9tica del CompArte \u00a0\u201cContra el Capital y sus muros, todas las artes\u201d Julio del 2017. Compa\u00f1eroas, compa\u00f1eras y compa\u00f1eros de la Sexta: Hermanoas, hermanas y hermanos artistas y no, de M\u00e9xico y el mundo: Avatares, nicknames, webmasters, bloguer@s, moderador@s, gamers, hackers, piratas, bucaneros [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":21911,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[957,6,955,118],"tags":[111,992,844,644],"class_list":["post-21910","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-autonomia","category-chiapas","category-ezln-temas","category-ezln","tag-ciencias-y-artes","tag-comparte","tag-comparticion","tag-comunicados-ezln"],"_links":{"self":[{"href":"https:\/\/radiozapatista.org\/index.php?rest_route=\/wp\/v2\/posts\/21910","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/radiozapatista.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/radiozapatista.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/radiozapatista.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/radiozapatista.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=21910"}],"version-history":[{"count":0,"href":"https:\/\/radiozapatista.org\/index.php?rest_route=\/wp\/v2\/posts\/21910\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/radiozapatista.org\/index.php?rest_route=\/wp\/v2\/media\/21911"}],"wp:attachment":[{"href":"https:\/\/radiozapatista.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=21910"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/radiozapatista.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=21910"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/radiozapatista.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=21910"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}